In a time where copies and duplicates make up a big part of any industry, originality is a rare feature of a work, appreciated by those who understand what it takes to create something unique and independent. Like in any other community, time and again, the literary world has been shocked by the surfacing of plagiarism: the 1978 Roots scandal or more recently the speech made by First Lady Melania Trump which turned out to be Michelle Obama’s are quiet some examples.
Plagiarism is the “unauthorized use or close imitation of the language and thoughts of another author” (HEC); an act of stealing all or parts of someone’s original work and passing it off as one’s own. Basically, it means to take credit for that which an individual has not personally created. It is a practice that the literary community is riddled with but one which is seriously frowned upon by readers and writers alike.
Plagiarism – A Crime
Sadly, in Pakistan, there is a lack of action taken by the authorities when it comes to plagiarism. It seems that the focus is mostly on research works and theses: since 2007 approximately 80% of all plagiarism cases regarding research works were solved. The literary industry, however, suffers still.
Not only is plagiarism a social evil but also has legal consequences. Again, in Pakistan, the law is more concerned with academic plagiarism than literary plagiarism. It involves dismissal or rustication for teachers and students, respectively. A literary author, however, runs the risk of defamation, blacklisting, rejection from publishers for all future works and more.
How Daastan handled Plagiarism Cases?
As a publishing house based in Pakistan, we at Daastan have had our share of dealing with cases of plagiarized works. In most cases, writers copy another work, word by word; in others, we see extensive use of the thesaurus. For the latter kind, it takes a sharp eye and a detailed read to weed out manuscripts that are unoriginal. A “plagiarism check” is an essential part of our editorial process; our editors judge a manuscript by its ability to stand on its own, without the help of outer influences.
While there are no qualms about being inspired by other writers (some of the best works are born that way), we strongly oppose the practice of plagiarism in literature. The beauty of literature is the perspectives it offers to readers. Behind that perspective is an author’s hard work, research and dedication. When works are copied, that hard work is disrespected. We, as a community, stand firmly against that.
The Noor vs Khizra scandal
Recently, the plagiarism incident of a book titled “The moon has my heart” has been making waves across social media platforms. It has induced the anger of the literary community as a whole but has also split us in “for” and “against” teams.
On the 27th of December, 2019, a local publishing house launched a poetry book titled “The moon has my heart” written by the Instagram influencer and poetess Khizra Zaheer. The book was in the works for some time: pre-orders, cover launches and giveaways were all set to go. On the website, the book was said to be “a rich and beautiful collection of poetry about life, love, loss, inspiration, hurt, strength, nature and family”. The author herself was receiving praise from her readers on the accomplishment of a second poetry book.
Some readers, however, noticed that the book cover for “The moon has my heart” was very similar to another book. This was the generally acclaimed poetry book “yesterday I was the moon” by Noor Unnahar—a talented 22-year-old writer who has been published by Penguin Random House. Her book “yesterday I was the moon” has received much praise from readers and critics and the book cover has won a design award by the New York Book Show!
The similarities didn’t end here. Readers who bought the book confirmed that the inside layout as well as parts of the book were copied off of Unnahar’s book. One reader said, that “most of the book was badly plagiarized. Original poems had terrible grammar. Others were heavily inspired from Noor’s book”.
The literary community came forward as a united front, dug deep and recognized the similarities between the launch ceremonies of the two books as well. Whereas another reader threatened the publisher for legal action.
cannot believe a publishing house published a heavily plagiarised book. khizra's book looks like a cheap knock off of…
While there were those who stood firmly against the blatant plagiarism and called out the publishers, some readers took a different perspective. A group of writers insisted that the book was actually not plagiarized. The book cover bore a resemblance to “yesterday I was the moon” but the content inside was different. Others argued that because it was only similar to Unnahar’s work and not exactly a copy, it did not come under “copyrights infringement”. More still, came out in support of Khizra Zaheer.
The majority, however, lay with those who did not consider this a mere coincidence. Noor Unnahar, herself, took to Instagram to talk about the case. She said,
“I was informed that the cover of my book, along with the layout inside, was copied by an author. I knew them, had interacted with them when they needed help with publishing their first book.” She also said that she was, “heartbroken” but that the “support that came from the writing community has been splendid. Together, we reached the publishers of the book in question to take it down.”
The evolution of publishing industry
The support that Noor has seen on part of the literary community tells us how far we’ve come. 5 years ago, Daastan started as a publishing company, hoping to revive the dying literary industry of Pakistan; to put in our part in its rejuvenation. Seeing the kind of ferocity that the readers of Pakistan have defended an author’s work with, we are convinced that that revival is well on its way.
The community has evolved to expect the best and the original: where once, this incident might not have invoked such a strong voice on part of the readers, today it has resulted in the authorities taking action. Auraq publishers have taken down the book “The moon has my heart” from their website and further action is expected. When approached, they told us they had issued an official statement regarding the matter. The author, Khizra Zaheer, was also asked to address the situation and has recently issued her own statement through Daastan. You can read what she has to say here.
Asalam u A'laykum All ! We at Auraq take copyright issues very seriously and we firmly stand against the plagiarism in…
At the end of the day, however, when it comes to the standard that has been set for the publishing industry in Pakistan, it’s refreshing to see what the literary community expects of us: honesty and transparency.
Daastan always strives for excellence in publishing: from our team of editors who work tirelessly on manuscripts, to our readers who keep us on our toes, we are taking this journey for the revival of Pakistani literature, step-by-step. Join us today and help us revive the literary Industry of Pakistan!
Sardar Ahmed Bhatti, the father of my dear friend Dr Shaheena Ayub Bhatti, is the author of the book. Although listed by the publishers as a biography, it is much more than that. It is a combination of family history, some glimpses of the author’s own life and, chiefly, a loving homage paid to a national hero, Raja Aziz Bhatti Shaheed (Nishan e Haidar).
Sardar Saheb’s style of writing is anecdotal. He calls it a labor of love, as he says, “It has taken time recollecting the past, and some memories are very painful.”
Book signing by Sardar Bhatti, the author, at the book launch
Aziz Bhatti Shaheed – About The Book
As the title suggests, the writer is the Shaheed’s brother. He projects the heroic qualities of his elder brother with respect, love and admiration. There is no doubt that Maj. Aziz Bhatti Shaheed had an extraordinary personality. Such characters find their niche whatever the circumstances.
Sardar Saheb’s style of writing is anecdotal. He calls it a labor of love, as he says, “It has taken time recollecting the past, and some memories are very painful.” The story of growing up in Hong Kong reinforces the fact that Sardar and Aziz were very close, sharing pranks, escapades and joint ventures where the young one always followed his elder brother unquestioningly.
Early Life of Aziz Bhatti
After giving very brief sketches of his own life and that of his father’s, the author goes on to describe life in Hong Kong where the five Bhatti boys grew up. Descriptions of life at home and in school are intertwined forming the major part of the young boys’ transition to adulthood. In the background, there is a political narrative where the boys’ lives are pushed into the chaos created by Second World War. The British surrendered Hong Kong to the Japanese forces on the Christmas day in 1941. With this began a time of struggle and hardships.
With schools closed, no income and savings nullified, the Bhatti family needed the younger lot to pitch in. Even the building where they lived was bombarded. The various incidents in the war ravaged country are described with stoic resignation. The war also took the toll on one life from the clan. One brother, Bashir Ahmed, older than Aziz died in Japanese Naval Custody. When the war ended, the family returned to their village in Gujrat and the young men struggled to find employment opportunities. At this point in time, Pakistan came into being and the three elder siblings joined the armed forces of this newly established homeland created for the Muslims of the Subcontinent.
Most of the events of Aziz Bhatti’s life are written in chronological order in the biography. As for the narrative of his Shahadat, the author only gives us the text of the official citation for Major Aziz Bhatti who was posthumously awarded Nishan-e-Haider
Life In Service
Aziz Bhatti was an outstanding Cadet at the Pakistan Military Academy. He received the Sword of honor and the Norman medal for academic excellence. Later he attended the Canadian Staff College. Having got married during his Cadetship, he shouldered this new responsibility as a hero should. With a growing family of seven children, life of an army major must have been tough. He built a house in Tench Bhatta, Rawalpindi and also persuaded Sardar to build one in the same locality.
Most of the events of Aziz Bhatti’s life are written in chronological order in the biography. As for the narrative of his Shahadat, the author only gives us the text of the official citation for Major Aziz Bhatti who was posthumously awarded Nishan-e-Haider. Aziz Bhatti’s valor, courage, devotion to the duty and leadership qualities speak for themselves. And the author has not added to the national narrative with further comments. He was buried in a corner of his father’s garden in his ancestral village, and his aged mother and father bore this great loss with fortitude and faith in Allah’s will.
A number of photographs are included in the book and naturally they are black and white. But if possible their quality may be enhanced in future editions. The font is large and the printing is also of high quality. A must read for all Pakistanis especially the young generation lest we forget our heroes.
Group photo at the book launch of “Aziz Bhati Shaheed: My Brother, My Hero
The writer is visiting faculty, English Deptt, Fatima Jinnah Women University, Rawalpindi
Exactly a month after the chain of events, titled “Literary Evenings” by Words and Metaphors, was kick started in the city of Peshawar, the team of Daastan traveled all the way to Karachi to hold the second one in its succession. The first event had turned out to be a huge hit, with a crowd turnout that amazed even the most hopeful among us. The poetry and performances we got to see in the event were of such good quality that weeks after the audience would find themselves thinking about the cozy environment in which all of the literary geeks felt connected as if they were a family.
The Event:
Literary Evenings Volume Two was split into two events held at separate venues so as to celebrate each one according to its needs. The first event was the book launch of Daastan’s youngest published writer from Sindh, Lareb Soomro. The 15-year-old girl from Larkana wrote her very first novel “The Secret of Spring”, and finding no avenue to bring her work to the public, turned to what would become her enabling family – Daastan. Within a few months of her sharing her novel with the team, it was proofread, edited to its best version, and then sent to print. It was such a pleasure for Daastan to have empowered such a young but a creative and budding mind. Lareb’s book launch was held in Nizamani Labour Hall where students from different colleges, writers and people with an appreciation of literature graced the event. Her launch received extensive media coverage. The news report of the event and her interviews were featured on Samaa news, Sach Tv, as well as local Sindhi news channels like Awaz.
Group photo featuring DAWN TV reporter (left), Mr. Khursheed Ahmed – a proud father, Ms. Mukhtar Soomro – a happy aunt, Ms. Lareb Soomro – Sindh’s Youngest published author and her uncle Mr. Ameen (right).
Open Mic:
The second occasion of the volume two of Literary evenings was an open mic session which took place in Pakistan Chowk Community Center. The Open Mic was themed, and people from all walks of life came together to share their works and lift the stigma from society’s notion regarding “Abuse”. Over the course of the evening, with so many hearts opening up to individuals who had gone through more or less the same experiences as them, the air grew somber but bittersweet in the knowledge that they were not alone.
Mr. Ahmed was a participant of the Open Mic Session held under Literary Evenings Vol II
